![]() By examining the respective contexts that led to their composition, and illustrating the musical approaches and objectives of their composers, we will see how both scores respond to the necessary requirements of the films and the different interpretations of the same story.īoth versions of King Kong are products of their ages. Legendary for its developments in stop-motion animation and special effects, the film inspired Peter Jackson to become a director, remaking it for a modern audience in 2005. ![]() ![]() For the first time a sound film was accompanied by an original non-diegetic score that paralleled, supported and enhanced the narrative, pioneering the techniques and principles that have governed film scoring ever since. Film music was forever changed by Max Steiner’s 1933 score for King Kong. ![]()
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